Watch Annabelle: Creation (2017) Stephanie Sigman Talitha Bateman Anthony LaPaglia Free To Watch

Posted by pupeselisi, 22 Aug, 2017

Watch Annabelle: Creation (2017) Free To Watch Annabelle: Creation (2017) DOWNLOAD: http://bit.ly/2vAwA0e WATCH: http://bit.ly/2vAwA0e Sinopsis :Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker's possessed creation, Annabelle. Cast: Stephanie Sigman, Talitha Bateman, Anthony LaPaglia, Miranda Otto, Lulu Wilson, Philippa Coulthard, Grace Fulton, Lou Lou Safran, Tayler Buck, Samara Lee, Mark Bramhall, Adam Bartley, Alicia Vela-Bailey, Lotta Losten, Joseph Bishara, Brian Howe, Kerry O'Malley, Tree O'Toole, Annabelle Wallis, Ward Horton, Brad Greenquist, Bonnie Aarons, Liam James Ramos, Karalee Austin, Tyler A. Johnson Genre: Thriller, Horror Production: New Line Cinema, Atomic Monster Keyword: #prequel #evil doll #spin off #demonic possession Annabelle: Creation (2017) Annabelle: Creation (2017) Annabelle: Creation (2017) STEPS TO WATCH 1: REGISTER FOR FREE 2. CHOOSE Annabelle: Creation (2017) Movie 3. WATCH THIS LIVE STREAM IN HD. 4. ENJOY WATCHING THIS MOVIE GUYS The horror mystery thriller "Annabelle: Creation" (R, 1:49) is the kind of film Movie Fans don't see much of – in a few different ways. For one thing, this is a prequel to a spin off. That may not technically be a "first", but I can't think of another example of such a movie. "The Conjuring" horror mystery thrillers brought to the big screen a fictionalized version of the real-life experiences of 1950s-1980s Catholic paranormal investigators Ed and Lorraine Warren (played in the film franchise by Patrick Wilson and Vera Farmiga). In 1970, the Warrens investigated the case of a Raggedy Ann doll which was supposedly possessed by the spirit of a young girl named Annabelle Higgins. The Warrens declared the doll to be "manipulated by an inhuman presence". They took it and put it in a sealed box in their occult museum in Connecticut where it remains. Filmmakers reimagined Annabelle as a creepy porcelain doll and featured it prominently in 2013's "The Conjuring". In 2014, the spin-off "Annabelle" hit theaters. Three years later the aptly-titled "Annabelle: Creation" tells an origin story that shows how the doll became evil. Another way that this film is unusual (at least, as compared with other horror movies) is that it's actually scary. The Mullins aren't the family they once were. In the early 1940s, Samuel and Esther (Anthony LaPaglia and Miranda Otto) lost their 7- year-old daughter, Annabelle (Samara Lee), in a tragic accident. As they were still grieving, Esther was seriously injured and has been bedridden ever since. Samuel is only a shell of the happy and loving father and husband he once was. Nevertheless, 12 years after losing their little girl, Samuel and Esther decide that it's time for some good-deed-doing. They open their large farmhouse to six girls and their caregiver, Sister Charlotte (Stephanie Sigman), when the orphanage where they lived closed. The girls range in age from about 7 to 17. The two youngest girls, Linda (Lulu Wilson) and Janice (Talitha Bateman), who wears a leg brace, are especially close, promising they will never allow themselves to be separated. Although they still hope to be adopted, all the girls love their new home. Yet there's still something "off" about the house – and it gets off- ier as the days go by. Samuel is kind, but gruff and the girls are basically afraid of him. They also wonder about his wife who rings a bell when she needs her husband and never leaves her room. Naturally, the orphans are curious about their new home and they're anxious to explore. As most of them run and play outside, discovering a dark sealed well in the process, Janice tries to enter an upstairs bedroom that Samuel sternly tells her is locked and never to be opened. Of course, strange sounds begin emitting from that room (at night) and when Janice approaches the door to investigate, she finds it unlocked. She enters, looks around and finds a creepy porcelain doll sitting in a chair inside a closet that is wallpapered with pages from a Bible. Janice closes the closet door, but it keeps opening on its own. A ghost-like figure from inside the closet approaches Janet, but then disappears. The scares just build from there and Janice becomes convinced that there is a demonic presence in that room and it wants her soul. She's not wrong. "Annabelle: Creation" is an engaging and well-crafted fright fest. It's a combination of "Woman in Black 2: Angel of Death" (although this movie doesn't suck), "The Exorcist" and a little "Friday the 13th" – and most will agree that it's an improvement on the first "Annabelle". The screenplay, by Gary Dauberman (writer of the original "Annabelle" and 2017's "It"), gives us well-drawn characters and a mysterious story that keeps us guessing. (Sadly, the movie trailer gives away a major spoiler, but even if you know what that is, there are still enough surprises and twists to keep you entertained.) Incoming director David F. Sandberg ("Lights Out") focuses on old-school scares which mix a few jump scares with disturbing images (made more effective my modern CGI), tension, suspense and even some gore (unlike the previous "Conjuring" films). As many movies as I see (including plenty of horror movies), I have to admit that at several points throughout this one, my mouth was agape (but I deny screaming – and anyone who says I did is probably lying to you). Enhancing those effects are solid performances, especially from LaPaglia and from Bateman, who delivers one of the most adept performances I've ever seen from a child actor in a horror film. Plus, her character's minor disability enhances her vulnerability – and the audience's sense of dread. Unfortunately, some brief scenes at the end feel extraneous, but this is still one legitimately entertaining and scary movie. "A-" I first want to gloss over Ouija: Origin of Evil, as Annabelle: Creation is heavily inspired by that film. It's a 1960s R-rated horror prequel to a lackluster origin film starring Lulu Wilson based on possession & exorcism, ultimately tying in strongly with its predecessor. As I felt Origin of Evil had strong plot development, acting (though Wilson isn't the standout here that she was in O:OoE), cinematography, and overall eeriness, I could say most of the same things for Annabelle: Creation, though I find them all just a notch below. Given the time period that this film takes place, the technology that was present served this film very well in the throwback sense, either because it doesn't make the characters too idiotic to not rely on their technology more often, or it doesn't allow the supernatural to manipulate their technology too much to the point of ridiculousness. Even traditional items like a bell (similar to The Uninvited), a well (similar to The Ring), or a dumbwaiter (many horror films) work because of the particular time period that it's in and add to the atmosphere the film builds up. Several elements like this were heavily in play and made for a fun setting. Here's where I have a mixed bag of positive/negative, and it has to do with the direction. James Wan is clearly a heavy influence for David Sandberg (Lights Out), but part of me feels like Sandberg and crew watched Wan's Conjuring films, created a checklist, and tried their best to check all of those boxes. It makes for great horror, but part of it makes me feel like I've seen it all before. If Wan was directing, I think he would find a new way to shoot certain scenes and present certain items. Given the setting I was referring to before, I saw all of the foreshadowing coming into play a bit too easily. It's like it was all on-the-nose. You also can telegraph all of the jump scares. That doesn't mean they weren't still effective and that the film wasn't still scary on its own (trust me, there are plenty of non-jump-scare moments that are still very good), but I feel like I just saw a Wan copycat instead of Wan himself is all. I mean that's not a bad thing, because I considered Wan as the new master of horror before he decided to become an action director. Just food for thought is all. Now I will give Sandberg some credit. He played with out-of-focus scenery more than Wan had in the past, making us look in the dark areas or the background to see if something was lurking about. I also think he included more shock factor regarding when things can occur (daytime, early stages of the film) and how at-risk all of the children really were, making them all vulnerable to victimization by injury, possession, and/or death. I also think that without a star-studded adult cast it was a lot easier to give the child actors a lot of limelight, to the point that I knew all of them really quickly (in The Conjuring, I couldn't tell you a single one's name as they were more pawns for Wilson and Farmiga). Every so often he would let the camera cut away for the scary thing to appear/disappear/move and such, but then sometimes he would just say "screw it" and do it right in the shot just to mess with the audience, who was thoroughly engaged in this film from start to finish. The thing I think most people have to remember about this film, which I sometimes forget myself, is that Annabelle is just a doll... creepy looking, but just a doll nonetheless. She's not like Slappy or Chucky, where the doll is the soul in and of itself. The doll may act as a conduit for the demon however; we have known this since The Conjuring. However, this demon can also do it in its own form, or into a human, or anything else that it wants to... even more than one place at a time. Makes it kind of strange that Annabelle still remains the highlight of the film by the title, but these films are less about the doll and more about the entity, and that's fine with me. I just have to keep reminding myself that. I want to close by saying that these films (Conjuring 1 & 2, Annabelle & prequel, Ouija & prequel) remind me a lot of the Paranormal Activity film franchise: despite a different setting and finding new ways to try and scare the audience, the story largely remains the same. Big family in big house dealing with possession and finding a way to exorcise it. Personally, I dig them all, but they aren't reinventing the wheel, so don't assume this is a fresh new take on the genre. However, given that Annabelle was so poorly received, you had to assume that if they were making this film, they likely said: "Let's make sure that doesn't happen again, so what can we do differently?" They found it, and it's called Annabelle: Creation. Very good, though I've kind of seen it before. That's okay though, because it ain't broke. I just don't know how much longer it can last and still bring in myself and other audiences. CLICK HERE To Watch Annabelle: Creation (2017) NOW! 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